My first trapeze performance. Photo credit unknown.

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My Circus Journey

Rachel Wayne

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An old Tidy Cats container sits on the floor in front of the full-length mirrors. It’s no longer filled with what’s advertised but rather with a combination of chalk and rosin. Feeling the sweat slick return to my hands in our steamy studio, I march over to the container and lather my hands with the chalk-rosin mixture, then back over to the trapeze.

I ponder it a moment before leaping up to grab it. It reminds me of playing on the monkey bars as a kid. I was terrible at it. By comparison, my best childhood friend’s nickname was Monkey Girl. She had no issue pulling her body over the small trapeze swing on her playlet or climbing the giant magnolia in her front yard. Me, I was scared of heights and had the upper body strength of a chicken. I was no daredevil, unlike Monkey Girl, who seemed to be fearless.

Those were times past. Hanging from the trapeze, I engage my shoulders and contract my abs to bring my feet toward my face. Time for beats. I swing back and forth, toes passing between my hands on the bar, then pointing behind me as I temporarily become weightless. It’s my favorite part of this exercise.

Three and a half years ago, I fell in love with circus. I had worked out maybe five times over the previous decade and, despite appearing fit (read: skinny), I had no endurance. I had strong legs thanks to good genes, something that served me well when lifting…

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Rachel Wayne
Rachel Wayne

Written by Rachel Wayne

Artist/anthropologist/activist writing about art, media, culture, health, science, enterprise, and where they all meet. Join my list: http://eepurl.com/gD53QP

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